One Too Many Mornings brings together works by Murray Clarke and Alberto Lamback around a shared interest in interiority—both as a physical space and as a psychological condition. While their approaches differ in scale and construction, both artists turn inward, building images that feel rooted in personal rhythms, habits, and states of perception.

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Clarke’s paintings unfold through repetition and accumulation. Recurring motifs—luxury pajamas, scarves, folded textiles—are layered into compositions that feel both staged and lived-in. These surfaces carry a tactile presence, where pattern and texture begin to structure the image as much as the objects themselves. The works suggest an interior world shaped by routine and material intimacy, where comfort, excess, and familiarity blur into something more ambiguous.

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Lamback’s small-format panels operate on a more intimate register. His images—fragments of skin, light, and flowers—feel fleeting and deeply personal, as if caught between memory and sensation. Built through subtle layering, they resist full clarity, allowing forms to emerge and dissolve within soft, shifting atmospheres. In dialogue, the two practices trace different paths into the interior: one through accumulation and surface, the other through condensation and disappearance—both holding onto moments that feel just on the edge of slipping away.